Sillón italiano de haya y cuero, años 70

Lighting and furniture designer architect Tito Agnoli was born in Lima, Peru in 1931. With family ties in Italy, he moved there to study in the years after the Second World War. First studying paint under the guidance of modernist artist Mario Sironi, Agnoli enrolled in Polytechnic University of Milan in 1949, to study architecture. Specializing in industrial design, Agnoli interned for famous designers Gio Ponti and Carlo De Carli after graduating.

Throughout the 1950s, ‘60s, and ‘70s, Agnoli designed prolifically in the fields of furniture and lighting. He created seating designs for luxury Italian brands such as Arflex, Bonacina, Matteo Grassii, Poltrona Frau, Ycami, and lighting designs for Oluce. His most notable designs include the Model 9000 Sofa from Arflex (1969); the sculptural wicker P3 Lounge Chair and P3S Lounge Chair, stainless steel Sorbet Chair, and Punto e Virgola Chair for Pierantonio Bonacina (all 1960s); and the Korium Chair for Matteo Grassi (1970s). In 1974, Agnoli began to collaborate with Poltrona Frau, designing many leather sofas and lounge chairs that were very commercially successful.

Angoli taught a course in Professional Design at the Cesare Correnti Institute in Milan. Over the course of his career he was nominated twice for the prestigious Compasso d’Oro award and won a gold medal at the Neocon exhibition in Chicago in 1986.

Tito Agnoli passed away in Milan in February 2012.

Sardinian-born designer-entrepreneur Lorenzo “Renzo” Frau (1881-1926) founded the enduring Italian furniture brand Poltrona Frau in Turin in 1912. In these early years of the 20th century, Turin was home to an energetic community of vanguard artists, architects, and designers aligned with the Art Nouveau and Arts & Crafts movements popular in London and Paris. Within this milieu, Frau set out to create an artisanal atelier specialized in high-end, leather-upholstered furnishings inspired by the classic, British Chesterfield Sofa. This influence later manifested in a number of top-selling designs in the Art Deco style.

Frau’s wife, Savina Pisati, played an increasingly important role in directing the company during World War I and after. Under her leadership, Poltrona Frau earned an international reputation for excellent quality and sophisticated silhouettes, and, by the midcentury, could be found in aristocratic homes, luxury ocean liners, and parliamentary meeting rooms around the world. Early successful designs for Poltrona Frau included the 1919 Armchair (also called the 128) from the titular year and the Vanity Fair Armchair (also called the 904) from 1930, both still in production today. In 1941, Pisati passed the baton to her son-in-law, Roberto Canziani, who in 1962, under pressure of bankruptcy, sold the company to luxury leather goods magnate and design lover, Franco Moschini of Nazareno Gabrielli Group.

Through the second half of the 20th century and beyond, Poltrona Frau continued to grow and thrive, finding great success especially with armchairs by Tito Agnoli, Achille & Pier Giacomo Castiglioni, Gio Ponti, Michele de Lucchi, Sergio Mazza, Enzo Mari, Massimo & Lella Vignelli, and Marco Zanuso. The company also developed a new business division dedicated to the automotive sector, outfitting luxury cars for brands like Ferrari, Maserati, and Lancia.

The Poltrona Frau Group remains one of the most prestigious design companies in the world, providing an umbrella for a number of other design brands, including Gebrüder Thonet Vienna, Cappellini, Cassina, Alias, Nemo Lighting, Ceramica Flaminia, and Fish Design. In 2014, US-based Haworth Group purchased a controlling interest in Poltrona Frau.

* All images courtesy of Poltrona Frau