Sofá modelo 3330 danés Mid-Century de cuero de Arne Vodder para Fritz Hansen, años 60

Arne Vodder was born in Denmark in 1926. Trained as a cabinetmaker and architect, he studied under Finn Juhl at the Royal Danish Academy of Fine Arts in Copenhagen, graduating in 1947. After school, he worked as a designer at Hindsgaul in Copenhagen, focusing primarily on office décor. In 1950, Vodder launched his own architecture and design studio with architect Anton Borg. Over the years, the studio moved to a few locations within Copenhagen before ultimately settling in the suburb of Holte, north of the city. Together, the two designed furniture as well as several low-cost houses. Vodder and Borg collaborated until the 1970s.

Vodder is best known for his furniture designs, which tended to be simple pieces composed of natural materials such as rosewood and teak, often inspired by the natural forms, and occasionally accented with colorful panels. Vodder worked with several respected brands throughout his career, designing cabinetry, tables, seating, and more for furniture makers Fritz Hanson, France & Søn, Nielaus, Sibast, Kircodan (for which he designed garden furniture), as well as the department store Havemanns Magasin A/S (for which he designed the interiors), among others.

While Vodder is less well known today than some of his contemporaries, his work was well received throughout his lifetime. In fact, between the 1950s and ’70s, Vodder’s furniture designs were used by President Jimmy Carter in the White House and President Anwar Sadat in Cairo, and were also included in the United Nations Office in Geneva, as well as in a number of hotels, banks, and embassies worldwide. His work was exhibited widely both individually and in group exhibitions with the likes of Verner Panton and Nanna Ditzel.

Vodder passed away in 2009.

Danish cabinetmaker Fritz Hansen founded his eponymous furniture manufacturing company with his son Christian in Copenhagen in 1885. The first three decades were dedicated to hand-making wood and iron frames for upholstered furniture. In 1915, however, Christian began to introduce industrial processes, such as steam-bending wood, which enabled the family business to mass-produce at a larger scale.

In 1932, Christian brought in his own sons, Fritz and Søren, who updated the product line to include more modernist styles, like Søren’s Thonet-inspired DAN Chair (1930) and a cantilevered wicker and tubular steel chair by architect Mogens Lassen (1933). Other early classics in the Fritz Hansen catalog include Kaare Klint’s Church Chair (1936), Hans Wegner’s China Chair (1944), and Børge Mogensen’s Spoke Back Sofa (1945).

During the 1950s—thanks especially to the contributions of architect Arne Jacobsen—Fritz Hansen entered its golden era, creating some of the most iconic Scandinavian designs of the 20th century. Arne Jacobsen’s Ant Chair (1952), Swan Sofa (1958) and Egg Chair & Ottoman (1958), as well as later designs by Verner Panton, Piet Hein, and Grete Jalk, all helped to cement Fritz Hansen’s legacy as one of the most beloved producers of high quality, simple-yet-elegant, Danish modern furniture.

In 1979, after 107 years of family ownership, Fritz Hansen was bought out by Skandinavisk Holding and is now known as The Republic of Fritz Hansen. Pieces from the company’s long history can be found in nearly every design museum collection there is, from MoMA and Cooper Hewitt in New York to the Powerhouse Museum in Sydney. Arne Jacobsen’s collaboration with Fritz Hansen was the subject of the Siéntate Siéntete exhibition, hosted by the Chamber of Architects in Madrid in 2010.  

* All images courtesy of Republic of Fritz Hansen.