Lámpara de pie modelo 4075 italiana de Gaetano Sciolari para Stilnovo, años 50

The lighting designs of Italian entrepreneur-designer Angelo Gaetano Sciolari have recently come back into the spotlight, particularly as glamorous 1970s pieces have attracted a new generation of admirers. Some solid biographical information on Sciolari has survived, but given his current popularity, additional details would be very welcome.

Sciolari was born in 1927. After graduating with a degree in architecture, he began training as a film director. When his father died unexpectedly in 1949, he returned home to run the family business, Sciolari Lighting, which was originally founded in 1892.

Sometime in the 1950s, Sciolari became the in-house designer for legendary lighting manufacturer Stilnovo—founded by designer Bruno Gatti in Milan in 1946. In the postwar era, many Italian design companies, Stilnovo in particular, were attracting international acclaim for their experimentation with new materials and streamlined silhouettes. Sciolari, however remained attracted to slightly more traditional expressions, often employing opaline glass, perspex, and brass. His Molecular Chandelier (1955) produced by Stilnovo, for instance, showcases his penchant for blending modernist geometry with deco-style materials.

In the mid-to-late-1960s, Sciolari's designs for his own manufacturing company began to take off with high-end interior designers in Europe and the US. This body of work was influenced by a range of art movements, from Cubism and Deconstructivism, to Minimalism, but always exhibited a sophisticated, sculptural, and even futuristic interpretation. He utilized crystal and ice glass while juxtaposing highly polished metals against satin finishes, including the unconventional combination of brass with chrome. 

During the 1970s, Sciolari Lighting imported lamps to America via Lightolier & Progress Lighting, which featured many Sciolari collections in annual catalogues, including Sciolari's Geometric Series, Habitat Series, Scultura Series, and Futura Series (specific design dates unknown). The result was massive sales and a successful expansion of the family business.

Many argue that Sciolari produced his best work in the 1970s, when design tastes began to shift away from strict modernism in favor of more crafted and decorative aesthetics alongside Art Deco and "space age" styling—a similar trend can be seen in the work of , Paul Evans, François Monnet, and Verner Panton. Sciolari’s Cubic Series, which was realized in a variety of sizes, configurations, and finishes, is Sciolari’s most well known design form these years; it appeared in many TV shows in the 1970s and '80s.

Notably, Sciolari was the founder and first president of the trade association of Italian manufacturers of lighting fixtures.

Sciolari passed away in 1994. Today, his lamps, pendants, and chandeliers fetch high prices and are highly-sought after by collectors.

Italian lighting manufacturer Stilnovo was founded by designer Bruno Gatta in 1946 in Lainate, an industrial suburb of Milan. In response to the aftermath World War II—at a time when Italy was focused on rebuilding under conditions of scarcity—Gatta dedicated Stilnovo to the production of innovative lighting elements that embody rationalist, form-follows-function principles.

In the postwar era, designer Gaetano Sciolari took on the role of in-house designer. As economic recovery swept through Italy, Stilnovo became known as a prestigious and cutting-edge brand for both public and private spaces.

In the mid-1960s, Bruno’s son, Dino Gatta, had the idea to invite some of the best designers of the day to develop new products, and Stilnovo became a hotbed of progressive design ideas and a laboratory for material experimentation. Standouts from this futuristic era include the Periscopio Floor Lamp (1967) by Danilo & Corrado Aroldi, the Treiedo Spotlight (1970) and the Topo Adjustable Wall Lamp (1970) by Joe Colombo, the Lucetta Table Lamp (1970) by Cini Boeri, the Fante Desk Lamp (1978) by De Pas, D’Urbino, Lomazzi, and the Valigia Desk Lamp (1977) by Ettore Sottsass. Many Stillnovo pieces were exhibited in MoMA’s landmark Italy: The New Domestic Landscape exhibition in 1972.

Massimo Anselmi, an art director from the worlds of fashion design and contemporary art, acquired Stilnovo in 2012 and launched re-editions of iconic Stilnovo designs at Salone the following year.