Lámpara de pared Foglio de metal blanco atribuida a Afra y Tobia Scarpa para Flos, años 70

Chic, distinctive, and cool, the work of husband-and-wife-team Tobia and Afra Scarpa has found a new generation of sophisticated admirers in the 21st century. Their designs exhibit a decidedly modernist aesthetic, prioritizing pared-back elegance and comfort. At the same time, the Scarpas are admired for the ease with which their designs complement both classical and cutting-edge interiors.

Born in Venice in 1935, Tobia Scarpa is the son of famed architect-designer Carlo Scarpa. Alongside his wife Afra (née Bianchin, born in Montebelluna in 1937), he began working with Venini glassworks in Murano in the 1950s. In 1960, the couple established their design office in Montebelluna. Together, they created works for companies such as Flos, Cassina, B&B Italia, and Knoll. They embraced a variety of materials and expanding technologies across a wide range of designs, from glass, furniture, and lighting to interiors and architecture. 

During the 1960s, the pair began an ongoing relationship with the Benetton clothing company, which led to a number of different projects, including the first Benetton textile factory in Treviso (1964), as well as interiors for the company’s Paris and Freiburg offices (1980) and New York office (1986).

In 1969, both Tobia and Afra Scarpa graduated from the Venice Institute of Architecture, with the former winning a Compasso d’Oro prize the following year for the Soriana Armchair for Cassina. Other notable projects include the iconic 1960 Bastiano collection for Gavina, consisting of a sofa, lounge chair, and tables—later reissued by Knoll; the 1966 Coronado Armchair series for B&B Italia, a collection of polyurethane-padded furniture created using the then-new, cold-molded foaming process; and the 1973 Papillion Lamp for Flos, one of the first lighting designs to use halogen technology.

The pair’s work has been included in numerous museum and gallery exhibitions and honored with many awards, including the 1992 iF Design Award.

The roots of Italian lighting manufacturing company Flos can be traced to 1959. That is when Arturo Eisenkeil of Merano, Italy, began to look for new applications for a spray-on plastic coating he was importing from the United States. In the early 1960s, Eisenkeil had an auspicious meeting with two designer-entrepreneurs, Cesare Cassina (1909-1979) and Dino Gavina (1922-2007). Cassina was well versed in the vernacular of design, having founded his eponymous manufacturing company—often credited with introducing industrial design to Italy—along with his brother Umberto in 1927. Like Cassina, Gavina was also a design manufacturing impresario, having founded the Dino Gavina company in the 1950s and its subsidiary Gavina SpA in 1960. The three came together to launch Flos in Merano, Italy in 1962.

Flos’s mission was to revolutionize the lighting industry by exploiting new materials, starting with Eisenkeil’s “cocoon floss” polyamide. In the early years of Flos, design was overseen first by Pier Giacomo Castiglioni, followed by his brother Achille and Tobia Scarpa, and then Scarpa’s wife, Afra. The resulting products were intriguingly futuristic looking, such as the Castiglionis’ Viscontea Lamp (1960), Taraxacum Chandelier (1960), and Gato Table Light (1960), as well as the Scarpas’ Fantasma Floor Lamp (1960s). The effect of the cocoon allowed for a soft, ambient glow.

Other signature Flos pieces include the classic Arco Lamp (1962) by the Castiglioni brothers; the Parentesi Lamp (1971) by Achille Castiglioni and Pio Manzu, which was the first piece in the Flos collection to receive the Compasso d’Oro Award in 1979; the shaded Romeo Moon Table Lamp (1995) and Archimoon Soft Task Lamp (1998) by Philippe Starck; the portable work light May Day (1999) by Konstantin Grcic; and the opal glass Glo-Ball collection (1999) by Jasper Morrison. Other Flos collaborators include Michael Anastassiades, Barber Osgerby, Ronan and Erwan Bouroullec, Antonio Citterio, Ron Gilad, Marco Pezzolo, Paolo Rizzatto, Marc Sadler, Patricia Urquiola, Marcel Wanders, and Sebastian Wrong.

In 1964, the company moved to Brescia under the direction of Sergio Gandini. In the 1970s, Flos bought Arteluce, a well-known lighting manufacturer formerly led by Gino Sarfatti. In 1999, Gandini passed away, leaving Flos to his son Piero. In 2005, Flos acquired the Spanish architectural lighting brand Antares. In 2014, a significant portion of the company was sold to Investindustrial, which continues to support CEO Piero Gandini and Flos. Today, Flos offers a range of residential, commercial, and custom-made lighting products.

An ongoing dedication to innovation has ensured Flos a place in design history. Additionally, the brand continues to reap accolades for its collaborative legacy, working with iconic, award-winning designers. Flos designs can be found in museums around the world, including the permanent collection of the MoMA in New York and the Triennale Design Museum in Milan.