Aparador de teca de Ib Kofod-Larsen para Faarup Møbelfabrik, años 60

Furniture designer Ib Kofod-Larsen was born Denmark in 1921 and studied at the Danish Royal Academy in Copenhagen. In 1948, he won the Holmegaard glass competition as well as an annual award from the Danish Cabinetmakers Guild. The latter drew the attention of Danish furniture manufacturer Faarup Møbelfabrik, and Kofod-Larsen went on to create some of his most beautiful works for the company, including his rosewood Model 66 sideboard, during the 1950s. He also designed furniture for several other leading midcentury manufacturers, both at home and abroad, including High Wycombe, Christensen & Larsen, Carlo Gahrn, Bovenkamp, Petersens, and Fredericia Furniture.

Kofod-Larsen frequently worked with gorgeous woods, such as teak and rosewood, as well rich leathers. Clean, sculptural lines characterize much of his work. Notable designs include the U-56 or Elizabeth Chair (1956), composed of a light teak frame and upholstered leather that was purported to have been named for England’s Queen Elizabeth II after she purchased a pair during a visit to Denmark in 1958; as well as the airy and modern Penguin chair (1953). The latter (sometimes referred to as the Shell) features a curved back that embraces the sitter and was originally produced by Petersens in Denmark. It went on to also find great success with the Selig company, which imported and sold thousands of copies in various iterations (settees, dining chairs, and more in various woods and upholsteries) in the U.S. market starting in the 1950s. Kofod-Larsen’s striking teak and leather-upholstered Sälen (or Seal) easy chairs for OPE (also 1950s) have become increasingly popular on the vintage market in recent years. 

Kofod-Larsen passed away in 2003. Today, the designer’s pieces have become more frequently collected, in large part due to Kofod-Larsen’s talent for honoring the innate qualities of his chosen materials.

Through most of the 20^th century, Faarup Møbelfabrik (also spelled Fårup Møbelfabrik) was a family-owned furniture manufacturer named for the Danish town where it was based. Little information about the company is currently available, since it merged with the Danish Tvilum-Scanbirk Group in 1989 (which was later acquired by the American Masco Corporation) and, along the way, the original lines ceased production. As the vintage market has recently rediscovered and reappraised Fårup pieces from the 1950s and 1960s, however, more information is coming to light.

The Hallas family founded Fårup Møbelfabrik; some records show that Sigurd Hallas was the founder, and in the 1950s, his sons Johannes and Einar August Hallas took over. Although it is not clear when the company started, it is widely agreed that by the end of the World War II, Fårup Møbelfabrik was one of Denmark’s largest producers of fine wood casegoods—sideboards, desks, cabinets, and shelves—with significant exports abroad, including the US, UK, Australia, and New Zealand. At a time when the popularity of the Danish modern style was at its peak, Fårup Møbelfabrik pieces were prized for their clean lines, fine craftsmanship, sturdy proportions, and beautiful wood grains.

Faarup Møbelfabrik collaborated with a number of Danish designers in the postwar era, most famously Ib Kofod-Larsen, as well as Svend Åge Larsen, Jørgen Linde, and Kurt Løvig. The rosewood and teak sideboards of Kofod-Larsen are particularly sought-after today, especially the Model FA-66.